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From the Kathakali mudras of Balan to the suffocating kitchen tiles of The Great Indian Kitchen , the journey has been one of relentless introspection. As long as Kerala continues to produce communist card-holders who pray at temples, Gulf NRIs who cry over puttu , and literature graduates who drive auto-rickshaws, Malayalam cinema will have an endless supply of contradictions to film.

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Kerala has a dark history of rigid caste stratification. Cinema has been the primary tool to dissect this trauma. From the Kathakali mudras of Balan to the