Streaming services have liberated mature sexuality from the "cougar" joke. Helen Mirren has long been the standard-bearer, but she is no longer alone. Shows like Grace and Frankie (starring Jane Fonda and Lily Tomlin in their 80s) normalized older women discussing vibrators, dating, and desire without shame. In The White Lotus season two, Jennifer Coolidge (61) delivered a masterclass in tragicomic desire, turning her character’s longing for connection into one of the most talked-about performances on television.
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For years, the only refuge for mature actresses was the procedural drama (think Law & Order: SVU —Mariska Hargitay is a goddess, but she is the exception). Today, the roles are expanding into genres previously closed off: Streaming services have liberated mature sexuality from the
The term "Karen" became a shorthand for a certain kind of entitled, middle-aged whiteness. But in the hands of brilliant writers and performers, that archetype has been exploded into a kaleidoscope of messy, glorious humanity. Consider Jean Smart’s Deborah Vance in Hacks . She is a legendary Las Vegas comedian—bitter, imperious, financially ruthless, and desperately lonely. She is not a "mother" figure to Ava (Hannah Einbinder); she is a rival, a mentor, a cautionary tale, and a deeply inappropriate friend. The show’s genius lies in its refusal to soften her. Deborah is allowed to be brilliant and petty, generous and cruel, often in the same scene. In The White Lotus season two, Jennifer Coolidge