The 1980s and 1990s are often referred to as the Golden Era of Malayalam cinema. This period saw the emergence of renowned directors like Adoor Gopalakrishnan, A. K. Gopan, and K. S. Sethumadhavan, who produced films that gained national and international recognition. Movies like "Swayamvaram" (1972), "Nokketha Doorathu Kannum Nattu" (1984), and "Guru" (1997) showcased the artistic and cultural nuances of Kerala.

Malayalam cinema, popularly known as , serves as a profound mirror to the socio-cultural fabric of Kerala. Unlike many other regional film industries, it is defined by a deep-rooted commitment to literary depth social critique

Filmmakers began using Kerala’s geography—its backwaters, paddy fields, and traditional architecture—not just as a backdrop, but as an active element that defined the characters' identities.

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To understand Malayalam cinema is to understand Kerala itself—a land characterized by high literacy rates, a history of progressive social reforms, rich performance arts, and a unique geographic landscape nestled between the Western Ghats and the Arabian Sea.

Films frequently explore union politics, agrarian struggles, and communist ideologies, reflecting Kerala's unique political history as one of the first democratically elected communist governments in the world.

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One of her better-known Malayalam projects.