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This tradition continued to shock audiences well into the contemporary era. In the 1980s, Andy Warhol and Jean-Michel Basquiat famously collaborated, their work including pieces like "Painting No. 23" (1984), which, while not explicitly scatological, was part of a body of work that challenged notions of purity and value. Decades later, Chris Ofili caused a global scandal by using elephant dung in his controversial painting of the Virgin Mary, demonstrating that the "long history" of scatological art was far from over. As Lévi-Strauss noted about similar extremes, these artists confront us with a "solid layer of savagery beneath the surface of society," using art to pick at the thin crust of civilization we have built. In the 1980s, Andy Warhol and Jean-Michel Basquiat