The field of telemental health is growing rapidly as people’s lives become busier and they seek alternative treatment methods aside from traditional office visits. The Board Certified-TeleMental Health (BC-TMH) credential was created to fill this need, ensuring safe and effective practices for mental health professionals working in a variety of disciplines.
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Learn MoreThe CCE credential holder directory identifies those individuals who have satisfied the credentialing standards established by our organization.
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Writing a for a song of your choice
In the mid-20th century, mainstream radio favored idealized, linear depictions of romance. The storylines were straightforward: finding love, fearing rejection, or mourning a clean breakup. Tracks like The Beatles' "I Want to Hold Your Hand" or Percy Sledge’s "When a Man Loves a Woman" painted romance in broad, deeply devoted strokes. Even the high-energy synth-pop of the 1980s, such as Whitney Houston’s "I Wanna Dance with Somebody," focused on the pure, euphoric desire for connection. The Rise of Melodrama and Independence (1990s – 2000s)
For decades, mainstream romantic music favored idealized love. The storylines were straightforward: intense infatuation, painful longing, or happily-ever-after endings. Tracks like Whitney Houston’s "I Will Always Love You" or Bryan Adams’s "(Everything I Do) I Do It for You" painted love in grand, cinematic brushstrokes.
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Insecurity, jealousy, secret admiration, and bad timing.
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A modern shift toward "bitterness, selfishness, and open admittance of flaw" rather than idealized romance.
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