“Catwa” is not a known place on any modern map, yet it sounds plausibly Eastern European or South‑Asian—regions that, in Western media, are frequently coded as “exotic” or “other.” By inventing Catwa, the author creates a mythic geography that functions similarly to Tolkien’s “Eriador” or Gibson’s “Sprawl”: a semi‑real space that can be projected onto various cultural anxieties.
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