Henderson’s system revolves around identifying specific scales and arpeggios for every chord type to create varying levels of "tension and resolution". His Jazz Theory Summary outlines these core substitutions: Major Seventh Chords: Beyond the basic scale, he suggests using the

Henderson describes himself as a blues player with jazz inclinations. His ability to balance inside (melodic, bluesy) lines with outside (tense, chromatic) lines is a hallmark of his sound.

This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.