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Filmmakers like Padmarajan, Bharathan, and K.G. George bridged the gap between art and commerce. They created "middle-of-the-road" cinema.

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Unlike the larger Hindi film industry, which often romanticizes escapism, Malayalam cinema has persistently turned its gaze on uncomfortable social truths. For decades, films subtly (and sometimes overtly) depicted the lingering hierarchies of the caste system, the nuances of Ezhava, Nair, and Syrian Christian family structures, and the complex politics of the Gulf migration. Filmmakers like Padmarajan, Bharathan, and K