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| Element | How It Was Done | Tools Used | |---------|----------------|------------| | | Sony α7S III, 4K 60 fps, with a small gimbal mount on the scooter’s handlebar. | Sony α7S III, DJI Ronin‑S, custom 3‑D‑printed mount. | | Stabilisation | Dual‑axis gimbal + post‑production warp stabiliser for extra smoothness on bumpy streets. | Final Cut Pro X “Stabilizer” feature, Adobe After Effects “Warp Stabilizer.” | | Audio | Ambient street sounds captured with a Rode VideoMic Pro+, layered with royalty‑free synth‑pop (Epidemic Sound). | Rode VideoMic Pro+, Audacity for mixing. | | Color Grading | Warm, slightly desaturated look to emulate a “golden‑hour” feel throughout the day. | DaVinci Resolve 18 – custom LUT based on “Cinematic Warm.” | | Editing Rhythm | Cuts aligned with the music’s beats (≈ 120 BPM). | Adobe Premiere Pro – Beat‑Detect feature. | | Social‑Media Formatting | Exported in 4K (3840×2160) for YouTube, 1080×1920 vertical for Reels/TikTok, and 720p for quick Instagram feed posts. | HandBrake (batch conversion), Canva for thumbnail design. |

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