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Appani Sarath, known for his work in Angamaly Diaries , delivers a chilling and transformative performance as the titular character.
He was called Raja by the neighbors, but everyone in North Madras knew the name that hummed through alleys and markets: Auto Shankar. Not because he fit the myth—the swagger, the gun tucked at his waist—but because he had a machine that carried secrets: a battered three-wheeler that smelled of old oil and jasmine, its roof a quilt of faded posters and prayer beads. People climbed in with breath held and left their lives behind for the length of a ride.





Appani Sarath, known for his work in Angamaly Diaries , delivers a chilling and transformative performance as the titular character.
He was called Raja by the neighbors, but everyone in North Madras knew the name that hummed through alleys and markets: Auto Shankar. Not because he fit the myth—the swagger, the gun tucked at his waist—but because he had a machine that carried secrets: a battered three-wheeler that smelled of old oil and jasmine, its roof a quilt of faded posters and prayer beads. People climbed in with breath held and left their lives behind for the length of a ride.