When you combine 24-bit's massive headroom with 48 kHz's smoother high-frequency capture, you get a recording that sounds less "digital" and more natural and organic, with a wider and deeper soundstage. For a production as layered and atmospheric as Peter Gabriel's So , the benefits are significant.
You can find this high-resolution version on audiophile-grade digital stores such as ProStudioMasters peter gabriel so 2012 flac 2448
Listening to the 2012 24/48 FLAC files reveals a massive soundstage and an incredible separation of instruments. Several tracks particularly benefit from this high-resolution treatment: 1. "Red Rain" When you combine 24-bit's massive headroom with 48